Critical Analysis J.Alfred Prufrock - 2179 Words

At the beginning of T. S. Eliot s poem The Love Song of J. Alfred Prufrock, there stands an epigraph from Dantes Inferno, Canto 27. This epigraph unifies the text and brings, through its imagery and context, a deeper understanding of Eliots poem. Prufrock represents both of the characters in this section of the Inferno, corresponding to Dante in the first section and Guido da Montefeltro in the second and third. Dante represents the antithesis of Prufrock as well as the ideal that Prufrock strives for. The flame-bound Guido da Montefeltro represents through his words and condition, the isolated and wasteful state that Prufrock has condemned himself to inhabit. In this manner, the epigraph brings the poem full circle, allowing the reader†¦show more content†¦However, the epigraph also makes a social comment about how modern life can isolate and destroy individual self-worth. Prufrock does not ask the overwhelming question because he fears judgment and rejection. His self-consciousness, produced by the society around him, brutalizes him from within. He says, With a bald spot in the middle of my hair / (they will say: how his hair is growing thin!) and My necktie rich and modest, but asserted by a simple pin / (They will say: how his arms and legs are thin!) Prufrock has been filled with painful insecurity because he has been formulated, sprawling on a pin by the people around him. The refore, to return alive from this pit as Guido says, would mean to rise above the constrictions and cruel judgementalism of modern life: a truly heroic act. Prufrock, crushed under the pressures of modern life, crumbles from within. He shuts himself off from society and the woman that he loves: all because of his deep self-loathing and fear. This internal catastrophe describes the isolating and lonely nature of modern existence, where cultural norms become internalized and people watch themselves, as from the guard tower of a prison, hoping to catch themselves in the act of individualizing before becoming a deviant in the eyes of society. The poems epigraph fuses all of these concepts and figures together into a summation that brings the reader a deeper and richer understanding of the poem, and another powerfulShow MoreRelatedANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pagesï » ¿TEXT INTERPRETATION AND ANALYSIS The purpose of Text Interpretation and Analysis is a literary and linguistic commentary in which the reader explains what the text reveals under close examination. Any literary work is unique. It is created by the author in accordance with his vision and is permeated with his idea of the world. The reader’s interpretation is also highly individual and depends to a great extent on his knowledge and personal experience. That’s why one cannot lay down a fixed â€Å"model†

Russian Formalism in Poetry - 1847 Words

Introduction For my essay I am going to adopt a formalist approach to Wordsworth’s ‘The Thorn’. In particular I will be looking into the views of the Russian formalists such as Victor Shlovsky and Alexander Potebnya, and relating their thoughts to the poem. I will then be seeing how the ‘The Thorn’ relates to elements of the uncanny in its content. I will finish by including a reader response, where I will draw on my own thoughts of the poem. Russian formalism Russian formalism advocated a ‘scientific’ method for studying poetic language. Russian formalists saw poetry as something that can be mechanically taken in order to reveal devices that make it up. The formalists believed that poetry was made up of several different devices†¦show more content†¦To look at this extract in a metaphorical sense, it could be suggested that the thorn is the baby and the mosses are representing Martha or the evils in the world killing and burying the baby. This is an example of defamiliarisation, with the use of metaphor making understanding more complicated. Shlovsky defines a field of literary activity in which linguistically based devices (such as metaphor and metonymy) create an experience more complex and possibly less coherent, than the examination of images can suggest. (Contemporary literary criticism, second edition page 54). There are a few examples were it would seem the narrator is talking to or addressing the reader personally. For example the eleventh stanza (first line) reads â€Å"I’ll give you the best help I can:† That’s followed by instructions to get to the â€Å"dreary mountain top†. A few lines on it goes on to tell of her situation with ‘Stephen Hill’ and wedding plans etc, this seems to me to be purposely done to mimic gossiping (locals who say she killed her baby) – gossiping that is within the content of the poem. The third stanza has an unexpected change how the narrator is talking to the reader. The narrator is describing a muddy pond of water, using cold and windy descriptions as part of the imagery. Then the last two lines of the stanza read â€Å"I’ve measured it from side to side: ‘tis three feet long, and two feet wide†. This seems like an odd digression, with the narrator clearly going off the point of the story.Show MoreRelated5 Critical Approaches to Literature853 Words   |  4 Pagesstructuralism and formalism. Deconstructionists see works in terms of their undecidability. They reject formalists view that literary work is demonstrably unified from beginning to end or that it is organized around a single center that ultimately can be identified. They also see texts as more radically heterogeneous. Though a deconstructive reading can reveal the incompatible possibilities generated by text, it is impossible for the reader to decide among them. Formalism- Formalists see literaryRead MoreShostakovich3111 Words   |  13 Pagesreally it is full of sarcasm and hidden messages. Shostakovich showed his contempt Stalin and Communist Russia through sarcasm and the themes of anti-Semitism and persecution in his music. In order to understand Shostakovichs music, one must look at Russian history. When Communist Russia was first established early in the 20th Century, many believed it to be a vast improvement over the previous tsar regime. For the first time in history a government had been created that had complete control over theRead More Reader-oriented Theories and Their Application to Ernest Hemingway’s Hills like white elephants2425 Words   |  10 Pagesphilosophical starting point. There are quite different writers that commented on the reader response and they belong to different traditions of thought. They seriously challenge the predominance of the text-oriented theories of New Criticism and Formalism. As for them it is impossible to talk about the meaning of a text without considering the reader’s contribution to it. We see an interesting explanation about reader-response criticism by Tompkins. She claims that â€Å"reader response criticism is notRead MoreThe Word Ain t E ssay1627 Words   |  7 Pagesaccompanied by a lengthening of the vowel to Early Modem [ae:], from which the present diphthong would develop.† (199). The third author on the topic, Linda Eve Diamond is a self-employed writer and the author of nine books on topics ranging from poetry to business and listening skills. Prior to writing freelance, she spent fifteen developing and delivering corporate training programs in the areas of personal performance, managerial skills, business writing, and interpersonal communications. DiamondRead MoreMens Rea The Writing Style and Feminism of Lakambini Sitoy7010 Words   |  29 Pageswriting style of Lakambini Sitoy in the short story Mens Rea, effectively conveys the author’s views on feminism. Verbal data supporting this argument are analyzed using discourse analysis, based on the literary critical theories of expressivism, formalism, affectivism, and feminism. The findings reveal that: although in conflict with one another, the main characters of the story both show empathy to women’s issues; the symbolisms used in the story clues in the reader on its feminist theme; the cons istentRead MoreA Critical Note on New Historicism Essay2751 Words   |  12 Pagesinevitable in every literature and for every literary student and scholar. Aristotle develops for the first time the ideas of mimesis and catharsis which are even today the issues of discussion and debate. He not only gives the theory, but also defends poetry from the onslaughts of his master Plato who terms poetic art as lying, imitative and secondary. Graeco-Roman Criticism: After the Geek masters, there comes glistening stage of criticism known as Graeco-Roman criticism. Although the majority of conceptsRead MoreLiterary Devices in Pride and Prejudice8198 Words   |  33 Pagesliterature is immortal. We learn English and English literature to get to know more about English people, their culture, traditions and values. And to enlarge our background and moral values and principles we read books of not only the English or Russian greatest writers but American writers as well. Any language plays a great role in the life of society and the problems existing in the languages still preserve attention of different psychologists, ethno graphs, linguists and grammarians. Read MoreTerry Eagleton and Literature Theory3622 Words   |  15 Pagesof language, which changes the ordinary language and makes it stronger. Fiction has its laws, structures and procedures that should be studied and not a means for transmitting ideas, nor a reflection of social reality. As such it was studying the Russian formalists, who analyzed the content rather than form, as the sum of the measures that the combined effect of deautomatization. But even this theory is not good since it is required for normal deautomatization linguistic background and understandingRead MoreEssay about dance5531 Words   |  23 PagesPierre Beauchamp    D. Pierre Perrin Answer Key: C Question 17 of 25  Ã‚  Ã‚  Ã‚  Ã‚  Score:  2  Ã‚  Ã‚  (of possible 2 points) The different components of early French court ballets included _________.    A. dance and music    B. poetry and music    C. dance and design    D. poetry and dance E. all of the above Answer Key: E Question 18 of 25  Ã‚  Ã‚  Ã‚  Ã‚  Score:  2  Ã‚  Ã‚  (of possible 2 points) During the era of Molià ¨res comà ©dies-ballets, professional dancers began to evolve technical feats that demandedRead MoreCleanth Brookss Essay Irony as a Principle of Structure9125 Words   |  37 Pageswritten papers on this topic: View more... eCheat.com Essay Index  gt;gt;  Humanities  gt;gt;  English  gt;gt;  Poetry  gt;gt;  Ars Poetica Critical Analysis |   Ã‚  Ars Poetica Critical Analysis   Ã‚  Ã‚  Ã‚  Uploaded by Boarding13 on Nov 16, 2006 | | | Ars Poetica Critical Analysis Every person has his or her own opinion about poetry. Some analyze and go into deep thought about poetry and others just look at the superficial appearance presented by the author. Either way, interpretations are created

The Power of Communication free essay sample

The movie â€Å"EK RUKA HUA FAISLA† is all about â€Å"the power of communication† in which a person is punished for killing his own father. Judgement is already given by JUDGE but now it’s dependent on 12 advocates, by analysing, whether he is murderer or not? In a movie only one person is against the JUDGEMENT, but at the end of movie he makes all other people against the JUDGEMENT by his â€Å"the power of communication†. The all 12 advocates have to analyse the evidence given in court. If they found any changes and get together and decide that the person is not a murderer than only he can be survived otherwise he will be hang till the dead. In their decision they must have to be together, if any of them will go against the JUDGMENT, the judgement is not accepted. Why Communication Needed? †¢ To express our emotions †¢ Achieve joint understanding †¢ To get things done †¢ Pass on and obtain information †¢ Reach decisions †¢ Develop relationships Truths about Communication†¦ †¢ Good Communication can’t exist without honest listening †¢ We do not try HARD to get our message across We do not take advantage of various media available to us †¢ We all could improve our communication skills †¢ It cannot be perfected The Power of Communication| Overview Marketing communications are all about the internal and external communications between your business and everyone else, such as trade, media or consumer. It encompasses all the traditional forms of promotion including advertising, sponsorship, public relations (PR) and direct marketing along with the opportunities to build and maintain relationships with stakeholders. The Big Picture Choosing a Partner! There are many communication avenues to choose from; however there can be no merit in any of these unless the following points are considered before embarking on a specific project or campaign: * Overall Aim   what do you want to achieve for your wine brand, what is your ultimate goal? (this could include local, national, or international campaigns) * Budget   what available funds do you have to expend on achieving this goal? Set the minimum and maximum amount you are prepared/able to spend over a certain period of time i. e. per year for five years etc. Target Audience   do you have a set idea of who your target audience is/should be? * Relevant Partner   picking the right advertising or PR agency, direct marketing company or partner brand to sponsor, is vital. Comprehensive research, asking around your field, choosing an agency with proven results, all pay off in making this choice. Inappropriate matches between your product and an agency can be a complete waste of funds an d end in acrimony. A shortlist should be drawn up after establishing the above three points. * Brief   their work is only as good as your brief. Be clear be concise, if you cant articulate what your brand is and where you want it to go they wont be able to create the campaign that pleases you and achieves your goal . Change the Channel? Once you have a clear objective, target audience and budget set out and you have chosen your partner and detailed brief, you are then ready to select your chosen communication channel. Below is a brief generalisation of four channels and appropriate scenarios for their use; * Advertising   TV, internet, newspapers, magazines, radio can be horrifyingly expensive. Only for those with substantial funds and wide distribution. * PR   can be very effective for a relatively low cost especially if you employ your own in-house PR/Communications person who lives and breathes your brand and can react quickly in communicating your news effectively. * Sponsorship   can cost no more than a few cases of wine to sponsor a local film festival in exchange for a mailing list of 5000, to spending millions on sponsoring the Ashes. Contacts are key and assessing the best sponsorship tie up and relative synergy for your brand. Direct Marketing   can be advantageous and it is probably the most directly measurable way in assessing consumers reaction to your brand. It can be costly however and the direct marketing company really needs to be under the skin of your brand to achieve the right results. Communication Channel Decision Making Process Different Strokes for Different Folks The communication channel does not necessarily have to be different for different target audiences, but the way and the type of information that is communicated should be tailored towards the specific requirements of each target audience. There will naturally be some symbiosis between communications targeted at Trade, Media and Consumers. What the Trade  may need immediately is information which will directly help them get their sale or listing such as a full brand pack on your wines and complete technical details and sales collateral, point of sale (POS) trade support, volume details, sample stock, vintage changes, winemaker visits etc. They will want to deal with someone who understands their market and who can react to their needs. Similarly  the Media  need information which will help them do their job i. e. o write or tell their story and tell it before everyone else. They invariably, through no fault of their own have tight deadlines and need fast, efficient and accurate communication. Like the trade they need brand information but they also appreciate new news (! ), interesting stories and they dont want to be bombarded with information that is not relevant to their specialist subject. The Consumer  is interested in stories and news, why your winery is different and where it is in the world but as far as soil types, clonal selection and technical data, that is usually just too much information. The key is to understand the target audience, understand their needs (before they do if possible) to get results quickly, qualitatively and make them come back for more. Integrated Communication Strategy A Case In Point Katie MacAulay, Market Development Manager – Lion Nathan Wine Group, Australia â€Å"Developing and maintaining relationships is an important element of a successful marketing mix, especially in the current retail environment. Third party endorsement is just as relevant today as it was fifteen years ago however it has changed quite a bit. For example, in the past, a hearty endorsement from a weekend broadsheet might see a few hundred extra bottles leap off the shelves but major retailers now say this happens rarely. What you do see happening today is third party endorsements being used; on shelf markers at the point of sale; internally for sales staff and managers; displayed in shops on blackboards; as encouragement to buyers who see how well the product has been reviewed; as encouragement to wineries to see that their wines have been well received in different markets. Having said this, each market is different, the USA market still seems to revolve around The Wine Spectator and Robert Parker (The Wine Advocate), the UK and world Bordeaux Fine Wine Market is also reliant heavily on Parker but Jancis Robinson and Matthew Jukes will be heard as Oz Clarke is seen on other matters to do with wine. Everyone loves a third party testimonial but in the broader wine market they have become an adjunct to, rather than driver of, sales. † Summary Whether its the cellar door down the road or the local Supermarket, everyone’s life is affected by marketing and communications. New technologies are broadening the reach of product information and how a business allocates its marketing budget is crucial to their effectiveness, efficiency, and long term success. CHECKLIST| * Marketing efforts should be targeted in terms of both communication channel and target audience. * Set goals and know what you want to achieve for your brand. * Set budgets and stick to them. * Know your audience and tailor your communications to their needs. * If you are using external agents, do your research and make sure they understand your product and your business. Establish detailed briefs for campaigns, articulating your brand and the results you are trying to achieve is critical to the success of a campaign. * 3 key communication channels and their advantages are: 1. Advertising  Ã¢â‚¬â€œ generally suited to those with substantial funds and requiring wide distribution 2. PR/Sponsorship  Ã¢â‚¬â€œ ranging from low to high cost and involvement; if correctly matched to your busin ess plan can result in substantial benefits 3. Direct Marketing  Ã¢â‚¬â€œ targeted and measurable way of delivering specific news. |

The Harvey Memory Project - The Writers For Hire

THE HARVEY MEMORY PROJECT It’s hard to believe that it has already been more than a year since Hurricane Harvey dropped more than 30 trillion gallons of water along the Texas Gulf Coast, causing immeasurable amounts of destruction and devastation. To those who experienced the disaster firsthand, memories of those days (and the months of recovery after) are burned forever in their minds. In an effort to preserve, protect, and archive those memories, Rice University, Houston Public Library, Harris County Public Library, and the University of Houston Libraries have teamed up to form the Harvey Memory Project. The project, which is funded by the Rice Houston Engagement and Recovery Effort and by the Rice Humanities Research Centers Public Humanities Initiative, aims to collect various stories, pictures, and audio-visual recordings from people who survived the epic hurricane. The contributions that are collected will be held in a memorial repository, which will be available for use by both the general public and by researchers and students studying the history of Hurricane Harvey. For more information, to make a contribution, or to browse stories and pictures that have already been submitted, just click here: Harvey Memory Project.